Excerpt!
They were all large, dressed in furs, leathers, and thick boots. The men had thick beards and braids; the women either wore braids or had shorn hair. All of them wore armor of some kind, with runic designs upon their crests. Ghost green flames danced and kissed across their skin. As Valentine watched, she saw that their skin flickered and faded in the moonlight, alternately translucent and opaque. During the translucent phases, she saw their skeletons underneath.
She shivered.
Then, beyond the Huntsmen, she saw the mounts.
They were stunning.
Each horse shimmered, dressed in golds and silvers, blues and violets, coppers and moonlight. They were enormous, with hooves the size of dinner plates and lush manes that draped across the starlit skin. Valentine watched as they huffed, stamped their feet, and half-reared. They were ready, she could tell. They wanted to hunt, to chase.
She heard Malcolm’s prosaic voice in her head. Choose the smallest mount.
Valentine scanned the herd. There.
The smallest mount glowed like a golden fire in the moonlight, with a silver mane. Compared to the others, this one was dainty, almost delicate. Valentine cast a quick glance at the Huntsmen, then started forward, crouching low to avoid notice. As she moved forward, she draped the bridle over her shoulder, then pulled out the packet of frankincense and myrrh. She poured it into her hands, then crept forward. She stopped before the golden creature, a good six feet away. Though this mount was smaller than the others, it was by no means tiny.
When Valentine stilled, the horse raised her head.
What do you want, mortal? The voice sounded like a crack of lightning in her head. The eyes glowed with violet flame.
Rebecca Rook designs tabletop games, manages a little free library dedicated to sequential art and comics, and lives in the Pacific Northwest with two wonderful dogs. She writes young adult fiction in the fantasy, thriller, and horror genres.
A 2021-2022 Hugo House Fellow in
Seattle, WA, she also attended the 2021 Tin House YA Fiction Workshop in
Portland, OR. Rebecca was selected as one of the 100 invited writers to participate in the Write Team Mentorship Program’s curated Pitch-a-Thon event before being chosen as a Mentee for the 2021 Program. Prior to this, she completed the wonderful Yearlong Workshop for Young Adult and Middle Grade Fiction at Hugo House.
Neil Gaiman’s American Gods meets Jennifer Mason-Black’s Devil and the Bluebird in this modern adaptation of the Greek legend The Twelve Labors of Hercules for young adult fantasy readers.
Valentine Cash is dead.
When she dies in an accidental collision she caused on the cusp of musical fame, Valentine is offered a deal: Complete a series of difficult tasks to get her life back. Fail, and she dies a final, everlasting death. Guided by Route 66 the Mother Road of America on her quest, she tackles one herculean task after another, giving up a piece of herself with each trial.
Valentine begins to understand that the fame she once sought won’t bring her happiness or belonging – and if she fulfills the penance, she must decide what’s more important: Her old life or restoring the lives of the strangers who died alongside her.
The young and the ancient, the tangible and the mythical, collide as Valentine learns the true meaning of redemption, connection, and the enduring power of the human spirit.
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Rebecca Rook designs tabletop games, manages a little free library dedicated to sequential art and comics, and lives in the Pacific Northwest with two wonderful dogs. She writes young adult fiction in the fantasy, thriller, and horror genres.
A 2021-2022 Hugo House Fellow in
Seattle, WA, she also attended the 2021 Tin House YA Fiction Workshop in
Portland, OR. Rebecca was selected as one of the 100 invited writers to participate in the Write Team Mentorship Program’s curated Pitch-a-Thon event before being chosen as a Mentee for the 2021 Program. Prior to this, she completed the wonderful Yearlong Workshop for Young Adult and Middle Grade Fiction at Hugo House.
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